Baudouin de Jaer - Five Traces - Geomungo Compositions Vol III [2CD]
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Five Traces is a wordless opera in three acts.
Its sound includes words and images. The notes must spea...
This wordless opera is certainly my most daring experiment with text in sound.
Over the ten years I spent discovering the majestic Geomungo, the six-string Korean bass zither played with a suldae plectrum, working on Héros de la pensée (2012/vol I) gave soft, poetic, melodious and appeasing sounds. Some of my studies continued the reduction process I had started for the piano and the violin (and then for the Gayageum), in the compositions I wrote between 1986 and 2023, attempts at extreme reducing and simplifying down to lines (vol I), music stated on one and single note (with exceptions). Lines allows the interpreter to express themselves within the scope of rhythm, nuance, vibratos, stresses and attacks, and to show the many unheard orchestral possibilities at the root of this unique instrument. In stark contrast,Chanson cubique (vol II) or Trace III include moments with an excessive variety of notes driving the instrument into a corner. With the warm timbres of the recordings featuring on the first two cd volumes, the listener is an accomplice to the interpreter, standing in the wings while they rub strings on fret, prepare their fingers and... more
Its sound includes words and images. The notes must spea...
This wordless opera is certainly my most daring experiment with text in sound.
Over the ten years I spent discovering the majestic Geomungo, the six-string Korean bass zither played with a suldae plectrum, working on Héros de la pensée (2012/vol I) gave soft, poetic, melodious and appeasing sounds. Some of my studies continued the reduction process I had started for the piano and the violin (and then for the Gayageum), in the compositions I wrote between 1986 and 2023, attempts at extreme reducing and simplifying down to lines (vol I), music stated on one and single note (with exceptions). Lines allows the interpreter to express themselves within the scope of rhythm, nuance, vibratos, stresses and attacks, and to show the many unheard orchestral possibilities at the root of this unique instrument. In stark contrast,Chanson cubique (vol II) or Trace III include moments with an excessive variety of notes driving the instrument into a corner. With the warm timbres of the recordings featuring on the first two cd volumes, the listener is an accomplice to the interpreter, standing in the wings while they rub strings on fret, prepare their fingers and... more